JUDY GELLES
SWING SET | 19.25 x 23.25 in / 49 x 59 cm, black & white archival pigment print with original handwriting, edition of 3, 1979
SELF PORTRAIT WATCHING THE SOAPS | 19.25 x 23.25 in / 49 x 59 cm, black & white archival pigment print with original handwriting, edition of 3, 1979
BATHROOM PORTRAIT | 19.25 x 23.25 in / 49 x 59 cm, black & white archival pigment print with original handwriting, edition of 3, 1978
BEDROOM | 19.25 x 23.25 in / 49 x 59 cm, black & white archival pigment print with original handwriting, edition of 3, 1977
LIVING ROOM | 19.25 x 23.25 in / 49 x 59 cm, black & white archival pigment print with original handwriting, edition of 3, 1979
DISHWASHER | 19.25 x 23.25 in / 49 x 59 cm, black & white archival pigment print with original handwriting, edition of 3, 1978
ALWAYS LOOK GOOD FOR YOUR HUSBAND (detail image below) | 1.75 x 40 inches / 4.5 x 102 cm, plexiglass, edition of 7, 2014
I'M NOT GOING TO TELL YOUR FATHER (detail image below) | 4.7 x 40.8 inches / 12 x 103.6 cm, plexiglass, edition of 7, 2017
I KNOW WHAT'S BEST FOR YOU (detail image below) | 4 x 45 inches / 10 x 114 cm, plexiglass, edition of 7, 2014
NEVER GO OUT WITHOUT LIPSTICK (detail image below) | 3 x 28 inches / 7.5 x 71 cm, plexiglass, edition of 7, 2014
DON'T ARGUE WITH ME (detail image below) | 3 x 36 inches / 7.5 x 91 cm, plexiglass, edition of 7, 2014
STAND UP STRAIGHT (detail image below) | 7 x 36 inches / 18 x 91 cm, plexiglass, edition of 7, 2014
SUNRISE SUNSET 22 | 18 x 16 inches / 46 x 41 cm, archival pigment print, edition of 5, 2015
SUNRISE SUNSET 51 | 18 x 16 inches / 46 x 41 cm, archival pigment print, edition of 5, 2015
SUNRISE SUNSET 5 | 18 x 16 inches / 46 x 41 cm, archival pigment print, edition of 5, 2015
SUNRISE SUNSET 54 | 18 x 16 inches / 46 x 41 cm, archival pigment print, edition of 5, 2015
MOBILE HOME #9 | 15 x 15 inches / 38 x 38 cm, Fuji crystal archive print, edition of 10, 2001-2006
MOBILE HOME #5 | 15 x 15 inches / 38 x 38 cm, Fuji crystal archive print, edition of 10, 2001-2006
MOBILE HOME #2 | 15 x 15 inches / 38 x 38 cm, Fuji crystal archive print, edition of 10, 2001-2006
MOBILE HOME #13 | 15 x 15 inches / 38 x 38 cm, Fuji crystal archive print, edition of 10, 2001-2006
BEACH BOX #37 | 20 x 16 inches / 50 x 40 cm, archival pigment print, edition of 15, 2003
BEACH BOX PURPLE | 20 x 16 inches / 50 x 40 cm, archival pigment print, edition of 15, 2003
BEACH BOX #7 | 20 x 16 inches / 50 x 40 cm, archival pigment print, edition of 15, 2003
BEACH BOX #49 | 20 x 16 inches / 50 x 40 cm, archival pigment print, edition of 15, 2003
FOURTH GRADE - WITH ME (SOUTH AFRICA PUBLIC SCHOOL) | 31.25 x 25 inches / 79.4 x 63.5 cm, framed shadow box, archival pigment print - text printed on plexiglass, edition 1/7, 2018
FOURTH GRADE - AM MEAN (SOUTH AFRICA: PUBLIC SCHOOL) | 31.25 x 25 inches / 79.4 x 63.5 cm, framed shadow box, archival pigment print - text printed on plexiglass, edition 1/7, 2018
FOURTH GRADE - EVERY ROOM (SOUTH AFRICA: PUBLIC SCHOOL) | 31.25 x 25 inches / 79.4 x 63.5 cm, framed shadow box, archival pigment print - text printed on plexiglass, edition 1/7, 2018
FOURTH GRADE - GET SHOT (USA: PENNSYLVANIA PUBLIC SCHOOL) | 40 x 30 inches / 101.6 x 76.2 cm, archival pigment print, edition 1/5, 2008-2018
FOURTH GRADE - LIVE FOREVER (INDIA: PRIVATE SCHOOL) | 40 x 30 inches / 101.6 x 76.2 cm, archival pigment print, edition 1/5, 2012
FOURTH GRADE - VISIT THERE (DUBAI: PRIVATE SCHOOL) | 40 x 30 inches / 101.6 x 76.2 cm, archival pigment print, edition 1/5, 2008-2018
FOURTH GRADE - A MOTORCYCLE (NICARAGUA: PUBLIC SCHOOL) | 40 x 30 inches / 101.6 x 76.2 cm, archival pigment print, edition 1/5, 2008-2018
FOURTH GRADE - FOURTH GRADE TEACHER (CHINA: MIGRANT WORKERS SCHOOL) | 40 x 30 inches / 101.6 x 76.2 cm, archival pigment print, edition 1/5, 2012
Request More Information
Words From Home Series (Plexiglass wall sculptures) | All of us carry the voices of our parents around in our heads: advice, criticisms, guidance, warnings. These eight phrases are drawn from the words of Gelles’s mother and father.
Sunrise / Sunset Series (Photographs) | Judy Gelles first encountered the beach boxes while traveling in the United Kingdom. In one of the most colorful painting projects undertaken in the UK, Sadolin Superdec has been used to deliver inspirational shades capturing the essence of the color spectrum from sunrise to sunset at 75 traditionally styled, wooden beach huts in Bournemouth. passed down for generations, have distinct compositions and colors identifying ownership. This is for a simple shed with no electricity, water, or any features at all other than proximity to sand and water. Only locals are allowed to acquire them and they are immensely prized possessions.
Trailer Park (Melbourne, FL) Series (Photographs) | This series of work, spawned from her father’s decision to buy a mobile home in Melbourne Beach, FL, to escape the icy New Hampshire winters. Her technique illuminates this community, embodying the dream of retirement, but for many, is actually the end of the road.
Beach Box (Melbourne, Australia) Series (Photographs) | Depicted are simple sheds with no electricity, water, or any features at all other than proximity to sand and water. Located in Melbourne, Australia, these beach boxes provide an artful character to the beaches. The vivid colors assigned to these sheds, and Gelles’ photographic talent, enhance the value these beach boxes possess.
Family Portrait Series (Photographs with hand-written text) | Documenting the struggles of a woman and young mother was important to the artist. The Family Portrait series, created between 1977 and 1982 explored the cultural assumptions about Motherhood and Happy Families during the 1970s and early 1980s.
Fourth Grade Project Series (Photographs) | Judy Gelles began the Fourth Grade Project from a prototype born during her volunteer work at an under-served Philadelphia school not far from where she lived. Over the past decade, she has interviewed and photographed over 300 fourth-grade students from the USA, China, Dubai, England, India, Israel, Italy, Nicaragua, St. Lucia, South Africa, and South Korea. By asking these students the exact same 3 questions (Who do you live with? What do you wish for? What do you worry about?) she allows their answers to become part of her art along with her intriguing photographs. Without seeing the face of these children, who are photographed from behind, we can hear their voices through their answers to these questions that frame their body in the image along with economies of gesture that speak as loudly as their words. Told in their own words, their stories touch on common human experiences and urgent social issues.