KIKI GAFFNEY
SHIFT | 45 x 60 inches / 114.3 x 152.4 cm, graphite and gold leaf on paper, 2022
SHIFT #2 | 30 x 45 inches / 76.2 x 114.3 cm, graphite, acrylic, colored pencil, gold leaf on paper, 2022
MEMORY + MOVEMENT | 23.5 x 19 inches / 59.7 x 48.3 cm , photograph printed on archival paper, graphite
VESTIGE | 22.5 x 30 inches / 57.2 x 76.2 cm, graphite, acrylic, colored pencil, gold leaf, silver leaf on paper, 2022
SILENT SYMPHONY V | 32 x 45 inches / 81.3 x 114.3 cm, graphite, acrylic, colored pencil gold leaf, glitter, collage on paper, 2024
SILENT SYMPHONY IV | 45 x 30 inches / 114.3 x 76.2 cm, graphite, acrylic, spray paint, glitter on paper, 2024
SILENT SYMPHONY V | 30 x 22.5 inches / 76.2 x 47 cm, graphite, acrylic, colored pencil gold leaf, glitter, collage on paper, 2024
NATURE'S MANDALA #5 | 14 x 11 inches / 35.6 x 27.9 cm, acrylic, photograph on paper, 2023
NATURE'S MANDALA #1 | 14 x 11 inches / 35.6 x 27.9 cm, photograph printed on Fabriano paper, acrylic, gold leaf, graphite, colored pencil, 2023
NATURE'S MANDALA #10 | 14 x 11 inches / 35.6 x 27.9 cm, photograph printed on Fabriano paper, graphite, oil, 2023
NATURE'S MANDALA #4 | 14 x 11 inches / 35.6 x 27.9 cm, glitter, acrylic, photograph on paper, 2023
NATURE'S MANDALA #7 | 14 x 11 inches / 35.6 x 27.9 cm, graphite, pastel, photograph on paper, 2023
NATURE'S MANDALA #8 | 14 x 11 inches / 35.6 x 27.9 cm, graphite, acrylic, photograph on paper, 2023
NATURE'S MANDALA #9 | 14 x 11 inches / 35.6 x 27.9 cm, acrylic, photograph on paper, 2023
NATURE'S MANDALA #2 | 14 x 11 inches / 35.6 x 27.9 cm, photograph printed on Fabriano paper, acrylic, gold leaf, graphite, colored pencil, 2022
NATURE'S MANDALA #3 | 14 x 11 inches / 35.6 x 27.9 cm, graphite, acrylic, photograph on paper, 2023
NATURE'S MANDALA #6 | 14 x 11 inches / 35.6 x 27.9 cm, graphite, gold leaf, silver leaf, photograph on paper, 2023
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Nature, with all of its intricate structures and hidden systems has been providing source material for my work for quite some time. I am interested in the slow cycle of growth and decay, as well as the spontaneity of movement when elements of time are considered, such as wind or light and shadow. Natural patterns and structures, or ‘architecture,’ don’t follow a particular order, yet these patterns can be translated into our constructed lives through organization (grids or pattern designs, for example), so there is a connection between these visual constellations.
My work is about observations of these systems of connections in the natural environment – taking elements from that environment to create a new context. I am also interested in exploring the notion of space – boundary-less/open space (the natural world) and defined/closed space (design elements) with the idea of ultimately creating a contemplative space. I am attracted to imagery that may seem visually banal (such as a fallen tree) and elevating it to a higher level of awareness, creating an equivalence between blandness and emotion.